martes, 7 de junio de 2016

Miguel rios cumple 72 años

Miguel Ríos Campaña (Granada, 7 de junio de 1944), conocido simplemente como Miguel Ríos, es un cantante y compositor retirado1 de rock español, uno de los pioneros de este género en su país. En activo desde los años 1960, cuando fue conocido como Mike Ríos, el Rey del Twist, alcanzó su mayor éxito en 1970, cuando el "Himno a la alegría" vendió millones de discos en todo el mundo. Su álbum más vendido ha sido Rock and Ríos, un doble directo editado en 1982. Cinco años más tarde presentó en Televisión Española el programa ¡Qué noche la de aquel año!, un repaso por la historia de la música rock en castellano. Desde entonces ha colaborado con infinidad de artistas de España y Latinoamérica y ha participado en diversas giras con algunos de ellos, como Sabina, Víctor Manuel, Ana Belén o Serrat. A lo largo de estos años su estilo ha variado desde el rock and roll más primigenio al sinfónico o, en los últimos años, el jazz con big band o el blues.

Ríos was born in La Cartuja, a neighborhood of Granada. The youngest of seven children, he went to work in a local bar at the age of fifteen after little formal education. His interest in rock and roll led him to participate in a song contest at Cenicienta 60 radio station, in which he and his friends won a prize for singing the Paul Anka song "You Are My Destiny". With his mother's permission (his father died a few months earlier), he moved to Madrid in 1961 at the age of sixteen, where he recorded his first four songs. In popular circles he became known as Mike Ríos, the King of Twist. As Mike Ríos he obtained some television popularity during the first half of the 1960s. In 1964 he resumed using his real name which cost him the support of his group, Los Relámpagos (the Lightning). He made his first incursion into cinema with a movie titled Dos chicas locas, locas (Two Crazy Girls). An introspective search for his true identity resulted in some rocky times. In 1967 he recorded "Vuelvo a Granada", "El río", "Contra el cristal", "El cartel", and "Mira hacia ti". It was in 1970 that he came to be known as a superstar in Spain. His song "Himno de la alegría" (Hymn of Joy) was an extract of the last movement of the ninth symphony of Beethoven and appeared at the height of what was known as symphonic rock. It was released in both the United States and the United Kingdom as "A Song of Joy" in May 1970 on the A&M Records label, where combined sales in the U.S. and Canada reached the one million mark in July. It reached No. 16 in the UK singles charts in August 1970. It was awarded a gold record by the Recording Industry Association of America. He sold three million copies worldwide and was number one on some foreign music charts. It reached Number 14 on the Billboard Hot 100 chart in 1970. The artistic career of Rios came to a sudden stop when he was arrested and jailed for possession of hashish shortly after his Rock y Amor (Rock and Love) concert. In the mid seventies he recorded three progressive rock albums, but they were not commercially successful. In 1982 Rios released Rock and Rios a live double album recorded during the 5 and 6 March in Madrid at the Pabellón del Real Madrid and published in June of the same year. This album is considered by many music critics and fans as one of the most important works of modern Spanish (Iberian) rock and a turning point for the music industry in Spain. Rios sold over 450,000 copies in less than one year, a feat he never again came close to surpassing. Ironically this concert was a celebration of his 20 years in the music business, yet most of the audience members had not even been born when he began his career. One of the unique aspects of this album was its release. While most live albums at the time were released after a tour was over, Rios released his at the same time as he started his tour. The success of both made him one of the wealthiest entertainers of the era. Rock and Rios is also considered a cultural marker for the transformation of Spanish society as it slowly begun to enjoy the freedoms of a democracy born only six years earlier. It is also thought of as the precursor to Spain's "La Gran Movida" (literal translation: The Great Movement or The Great Flow - conceptual translation: The Great Vibe) which is a term that loosely defines the street youth culture of the 1980s in Spain.

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