Nuevo disco de David Gilmour

Rattle That Lock es el cuarto álbum de estudio el músico británico David Gilmour, programado para ser publicado el 18 de septiembre de 2015. El lanzamiento del álbum será seguido de una corta gira por Europa entre septiembre y octubre de 2015, continuando por primera vez en América del Sur visitando Brasil, Argentina y Chile en Diciembre y posteriormente Norteamérica entre marzo y abril de 2016. El diseño de portada de Rattle That Lock fue creado por Dave Stansbie bajo la dirección de Aubrey Powell, quien ha trabajado con Gilmour y Pink Floyd desde finales de la década de 1960.
Rattle That Lock fue grabado en el estudio personal de David Gilmour. La mayor parte fue realizada en Medina Studio, cerca de Brighton, con otras sesiones realizadas en el barco Astoria. The Endless River, el último álbum de Pink Floyd, fue grabado de forma similar usando de forma combinada ambos estudios. El álbum fue mezclado en Astoria, con la masterización para la edición en vinilo realizada por James Guthrie y Joel Plante en Das Boot Recording, en Lake Tahoe, California.

 

Rattle That Lock is the fourth solo album by British musician David Gilmour. It was released on 18 September 2015. Gilmour will undertake a short tour of Europe in September and October 2015 to support the album, and a similar tour of the U.S. and Canada will follow in March and April 2016. There is also a South America tour scheduled for December 2015. The artwork for the album was created by Dave Stansbie from The Creative Corporation under the direction of Aubrey Powell, who has worked with David Gilmour and Pink Floyd since the late 1960s.
The album was recorded at Gilmour's own recording studios. Phil Manzanera, co-producer of the album, estimates that Gilmour has been writing the material for Rattle That Lock over the past five years, though he pointed out that one piano piece was recorded 18 years ago in Gilmour's living room.The majority of the album was recorded at Medina Studio, in Hove, with additional recording being carried out at the Astoria houseboat studio. The final Pink Floyd album, The Endless River, was similarly recorded and produced using a combination of the two studios. Orchestra parts were recorded at AIR Studios in London and the Liberty Choir were recored in a South London church. The album was mixed at Astoria, with mastering for the vinyl release being carried out by James Guthrie and Joel Plante at das boot recording in Lake Tahoe, California. The title track Rattle That Lock was inspired by and makes use of the SNCF jingle, composed by Michaël Boumendil. Gilmour heard and recorded the jingle on his iPhone at Aix-en-Provence station whilst travelling to visit friends. When Boumendil first got a phone message from Gilmour, he thought it might be a prank, so didn't return the call. The lyrics for the track were written by Gilmour's wife and long time collaborator, Polly Samson and are based around the themes of Book II of John Milton's Paradise Lost. The musicians Mica Paris and Louise Marshall, together with the Liberty Choir perform on the track. David's son, Gabriel performs piano on the song "In Any Tongue", making his recording debut.

44 años de la publicación del Sticky Fingers de Los Rolling Stones

Hace unos días se publico una caja especial para celebrar los 44 años del lanzamiento del disco Sticky Fingers con una caja con tres cd's.
Fue el primer disco que sacaron los Stones tras la muerte de Brian Jones y del tormentoso concierto de Altamon(en el que murió una persona apuñalada por la violencia desatada de la música "

sympathy for the devil").Su primer trabajo de la decada de los 70 y de su nueva discográfica "La Rolling Stones Records"; fue el principio de la resurrección del grupo que atravesaba un autentico bache y que se aprestaba así para no quedar como una reliquia del pasado y de los miticos 60. Musicalmente hay una vuelta a lo más indiscutible del grupo,el rock con raíces Rhythm & Blues arropado por Mick Taylor en sustitución de Jones y el refuerzo de Billy Preston, Ian Stewart en los teclados y Jim Price y Bobby Keyes en los vientos.Eric Clapton viejo amigo de Jagger tambien colaboro en el disco.

La portada original fue diseñada por Andy Warhol y consistia en una foto de los pantalones de Mick Jagger a la altura de la bragueta dotados de una creamallera de verdad que podía bajarse para tener acceso a las intimidades del ídolo, unos coquetones canzoncillos. En españa,como es normal por los años que estamos,años70, fue censurada y en su lugar se puso una caratula de un bote de tomate y dos dedos saliendo del mismo,con el tiempo una de las portadas más buscadas por los coleccionistas del los Stones. Tambien dentro se aplicó la censura con una canció titulada "Sister Morphine"se sustituyó por "Let it Rock" dejando un espacio en blanco en el los creditos y un tiempo muerto de unos segundos en el disco.

t was published a few days ago a special box to celebrate the 44 years of the release of the album Sticky Fingers with a box with three CDs.
It was the first album that brought the Stones after the death of Brian Jones and stormy Altamont concert (in which one person died stabbed by the violence of Music "
Sympathy for the Devil The Rolling Stones Records "") His first work of the 70s and his new album. ", was the principle of the resurrection of the group crossed a real bump and getting ready for it and not look like a relic of the past and the mythical 60. Musically there is at most undisputed back of the group, with roots rock Rhythm & amp; Blues Mick Taylor wrapped by replacing Jones and the strengthening of Billy Preston, Ian Stewart on keyboards and Jim Price and Bobby Keyes in vientos.Eric old friend Jagger Clapton also collaborated on the disc.
The original cover was designed by Andy Warhol and consisted of a picture of Mick Jagger pants up to the gifted fly a real creamallera that could be lowered to access the intimacies of idol, a coquettish panties. In Spain, as is normal for the years that we are, years70, was censored and instead put on a cover of a pot of tomato and two fingers out of it, eventually one of the covers more sought after by collectors of the Stones. Also within censorship was applied with a Song entitled "Sister Morphine" was replaced by "Let it Rock" leaving a blank space in the credits and died some time a few seconds on the disc.

12-9-1975//12-9-2015 40 años del Wish you Were Here de Pink Floyd

Wish You Were Here —en español: Desearía que estuvieras aquí— es el noveno álbum de estudio de la banda británica de rock Pink Floyd, lanzado en septiembre de 1975 e inspirado en el material que compusieron durante su gira europea de 1974 y que grabaron en los Abbey Road Studios de Londres. Su temática explora la ausencia, la industria musical y los problemas mentales del anterior miembro de la banda Syd Barrett. Las sesiones de grabación fueron arduas y complicadas, en parte por la idea de Roger Waters de dividir la canción "Shine On You Crazy Diamond" en dos, para después unir cada mitad con tres nuevas composiciones. "Shine On" es un tributo a Barrett, quien, irónicamente, se presentó en los estudios el 5 de junio mientras se grababa. A la banda le costó reconocerle debido a su sobrepeso y a su cambio de aspecto.
Al igual que en su álbum previo, Dark Side of the Moon, la banda utilizó distintos efectos de sonido y sintetizadores. Roy Harper colaboró como vocalista en la canción "Have a Cigar". El diseño artístico del álbum, nuevamente en manos de Storm Thorgerson, contiene una funda negra y opaca que tapa la portada del mismo. Wish You Were Here se estrenó en Knebworth en julio de 1975, para después ser lanzado oficialmente en septiembre de ese mismo año. Fue un éxito inmediato; la compañía discográfica EMI ni siquiera pudo editar las suficientes copias para satisfacer la demanda. Al comienzo recibió críticas positivas y negativas, aunque está posicionado en el puesto número 209 de la lista de los 500 mejores álbumes de la historia elaborada por la revista Rolling Stone. Los miembros de la banda Richard Wright y David Gilmour coinciden en que Wish You Were Here es su álbum favorito de Pink Floyd.

 Wish You Were Here is the ninth studio album by the English progressive rock group Pink Floyd, released in September 1975. Inspired by material the group composed while performing across Europe, Wish You Were Here was recorded in numerous sessions at London's Abbey Road Studios. Some of the songs critique the music business, others express alienation, and "Shine On You Crazy Diamond" is a tribute to Syd Barrett, whose mental breakdown had forced him to leave the group seven years earlier. It was lead writer Roger Waters' idea to split "Shine On You Crazy Diamond" into two parts and use it to bookend the album around three new compositions, introducing a new concept as the group had done with their previous album, The Dark Side of the Moon. As with The Dark Side of the Moon, the band used studio effects and synthesizers, and brought in guest singers to supply vocals on some tracks of the album. These singers were Roy Harper, who provided the lead vocals on "Have a Cigar", and The Blackberries, who added backing vocals to "Shine On You Crazy Diamond". The album became an instant commercial success and record company EMI was unable to print enough copies to satisfy demand. Although it initially received mixed reviews, the album has since been acclaimed by critics and appears on Rolling Stone‍ '​s list of "The 500 Greatest Albums of All Time". Band members Richard Wright and David Gilmour have each cited Wish You Were Here as their favourite Pink Floyd album.